I’ve been having conversations with matter, domestic objects and the spaces we inhabit. We chat about functionality and perception, brood over limits, and chuckle about meaning.
The practice evolves in response to specific sites and modes of display, oscillating between otherworldliness and functionality.
Propping, supporting and suspending each other, the works converse amongst themselves and have started to talk back, some even fixate you with their eyes.
When did realism stop feeling real? Cartoon logic is utilised to download human physiognomies, postures and attitudes into creatures that sit between abstracted figuration, organic shapes and the mass-produced. Creating extensions of body and mind; I aim to breathe joy and humour into the inanimate.